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Teatro Oficina

Being vulnerable

This writing begins with a story. And then goes on to be quite practical. I am interested in how being vulnerable can help us create better frameworks in which to develop new theatre and new ideas.

It is April 2008. The man driving speaks Portuguese. My co-passenger speaks French. I speak English. There is no conversation. We are hurtling through the streets of São Paulo. The twilight flickers across the city as we set off from Jardim Paulista, whirling past the beautiful MASP, and winding through the twisting streets of Bela Vista. I imagine myself in a foreign film. I have only been in Brazil for 24 hours, it is my first time, I am unbelievably excited and a little apprehensive. My co-passenger and I have been put in a taxi by someone from the British Council. They are sending us to “a cultural experience that we will not forget”.

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BAC's Joint Artistic Director, David Jubb, talks about the value of vulnerability and managing the ensuing risks.

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